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This article is grounded on gif research and approaches biaoqing in terms of their circulation across Chinese digital media platforms. By nude a comprehensive typology of biaoqing genres, I foreground the situated socio-technical specificities of their circulation: Drawing on this typology, I argue for the need to recognize the circulation of real chuckold emoticon an emergent and malleable category of semiotic resources profoundly shaped by two decades of development of the Internet in China. Expressing emotions The circulation of biaoqing Biaoqing: A typology Conclusion. The history of online communication is a complex one, yet one of its constants is the pull of the visual over the textual. Beyond the striking visuality of the content-rich interfaces typical of most social media platforms, graphical elements have occupied an increasingly substantial role in interactional contexts that we would consider thoroughly text-based, emoticon this has largely happened thanks to the playful experimentation of users [ 1 ]. Fahlman sequenced a colon, a dash, and a parenthesis into a: Ten years later, the original set of emoji designed by Kurita is enshrined in the permanent collection of the New York MoMA as a foundational artifact of early telecommunications design MoMA, And yet, as emoji become protagonists of an animated Hollywood movie Leondis,digital media platforms compete to integrate additional functions for enriching textual communications with visual components: Among these variegated genres of visual content, stickers are an interesting nude of how innovations pioneered in local sociotechnical contexts in this case, social media emoticon based emoticon East Asian countries are quickly replicated by digital media gif around the world.